Greetings

This is a place to see and read about what I've been doing or am currently doing. Comments are invited - click the "COMMENT' box below each text or image entry. (You can use "anonymous" and just put your name in your comment's text if you want me to identify you... Blogspot's options are confusing...). You can also email me at: mels@chaffee.net
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Mel

Monday, April 13, 2009

Arpeggio-the process



This is a new solar print, Arpeggio. The image was created using digital photographs composited with various computer processes including a bit of hand drawing. That "original" is the top, left image. It was then printed out onto transparency film with an inkjet printer; the resulting positive transparency was then exposed to the solar plate, shown here at top right. Below that is the plate, developed, inked and ready to print - and the final print is bottom, left, allowing us to compare the intaglio final print with the digital "original". A digital print from the digital file is more precisely accurate, that is, optically close to what one sees on the computer screen. 
The intaglio image version, as you can see here is quite accurate. It is printed using a traditional, manual press and has its own qualities which include, at least for the artist (me), the intrinsic memory of all the stages and qualities - photographing, computer, image combining, altering, digital printing, plate exposure & development, inking and judging various factors including paper & press pressure.  While sensitive viewers cannot have the same involvement, looking will reward one with subtle revelations of what is special or typical of each kind of work. (Hence the comparison given here...)

Sunday, April 12, 2009

Bark of Pythagoras


One of the files for a Pythagoras print.... the waves are grain in the table top... the geometry speaks for itself...we'll see how the print turns out next week. So far the prints are about 5x7", roughly the size of Goya's Disaster of War etchings, one of which I own.

PythagorasMiroNews


Pythagoras meets Miro in the Dali News - is a quirky bit of fun which started from a flattened, rusted tin can and the pattern in our kitchen table top. On the way to being a solar etching, this bit of a variant with color against the black and white. April 2009.